The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, “race” studies, critiques of nationalism, colonialism and postcolonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production, and technology with a cultural studies analysis of consumption and audiences, this book demonstrates the dynamism and breadth of approaches now available for understanding popular cinema. Keyframes: Popular Cinema and Cultural Studies links the study of popular cinema around the world with the transformative effects of cultural studies on film studies. Keyframes: Popular Cinema and Cultural Studies
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